Author name: Lipikola Type Foundry

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Lipikola TypeTalk 2026

Event Event Date: 7th September (Monday)Venue: Bishwa Sahitya Kendro, Room No 101, 1st Floor, Banglamotor, Dhaka Speakers About the event Lipikola Type Foundry has been working to enrich and internationalize the practice of Bengali letters, type design, and typography. As part of this ongoing effort, the Annual Bengali Typography Conference “Lipikola TypeTalk 2026” is set to take place on Monday, September 7, 2026. Lipikola TypeTalk is an initiative for discussion, knowledge exchange, and building awareness among the new generation of designers around Bengali typefaces, typography, and script. This year’s event will feature discussions on the history of Bengali type, current practices, the aesthetics and technology of type design, research, and the potential of Bengali type in an international context. The event will bring together the country’s prominent type designers, researchers, and typography-related figures, along with individuals working on Bengali type internationally. Renowned type designer and researcher Jacob Thomas, and typography expert and Deputy Editor of The New Age, Abu Zar Md. Akkas, will speak as keynote speakers at this year’s event. Also speaking will be Maksudur Rahman, Associate Professor in the Graphic Design Department of the Faculty of Fine Arts at Dhaka University; renowned artists and type designers Anisuzzaman Sohel and Shahinur Rahman; Tanbin Islam Siam, one of the developers of the Avro team; Omi Azad, developer of the Ekushey Project; and many other distinguished individuals. Bengali script is an important visible element of the Bengali language and culture. However, regular and institutional discussion on Bengali type design and typography is still relatively limited. Through this event, we aim to broaden that discussion and present Bengali type in a new light within the global type design landscape. Photos

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āĻŽāĻžāĻ°ā§āϕ⧇āϟāĻŋāĻ‚ā§Ÿā§‡ āϟāĻžāχāĻĒā§‹āĻ—ā§āϰāĻžāĻĢāĻŋāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ

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Lipikola TypeTalk 2025: Discussing Bangla Typefaces

āĻŦāĻžāĻ‚āϞāĻž āϞāĻŋāĻĒāĻŋāϰ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϐāϤāĻŋāĻšā§āϝ āĻ“ āϏ⧃āϜāύāĻļā§€āϞāϤāĻžāϰ āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻ•āϤāĻžāϝāĻŧ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻž āϟāĻžāχāĻĒ āĻĢāĻžāωāĻ¨ā§āĻĄā§āϰāĻŋ āĻĒ⧇āϰāĻŋāϝāĻŧ⧇āϛ⧇ āĻāĻ• āĻŦāĻ›āϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĨ¤ āĻāχ āĻāĻ• āĻŦāĻ›āϰ⧇ āφāĻŽāϰāĻž ⧧⧍āϟāĻŋ āϟāĻžāχāĻĒāĻĢ⧇āϏ āύāĻŋāϝāĻŧ⧇ ⧧⧍ āĻŦāĻžāĻ‚āϞāĻž āĻĢāĻ¨ā§āϟ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āĻ›āĻŋ, āϝ⧇āϗ⧁āϞ⧋ āĻŦāĻžāĻ‚āϞāĻž āϞ⧇āĻ–āĻžāϰ āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ āϰ⧂āĻĒāϕ⧇ āύāϤ⧁āύ āĻŽāĻžāĻ¤ā§āϰāĻž āĻĻāĻŋāĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤
āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻ°ā§āώāĻĒā§‚āĻ°ā§āϤāĻŋ āĻ“ ⧧⧍āϟāĻŋ āύāϤ⧁āύ āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ āĻĒā§āϰāĻ•āĻžāĻļ āωāĻĒāϞāĻ•ā§āώ⧇ āφāϝāĻŧā§‹āϜāĻŋāϤ Lipikola TypeTalk : Discussing Bangla Typefaces
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Call made for more text type fonts Lipikola
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Call made for more text type fonts

Speakers including artists, researchers and academics on Saturday said that the book publishing suffers for lack of quality Bangla text types.
They also said that font designers are more focused on display types rather text types that are essential for book publishing
They made the remarks at an event titled ‘Lipikola TypeTalk: Discussing Bangla Typefaces’ at Bishwa Sahitya Kendra organised to mark the launch of 12 Bangladesh fonts by Lipikola on the first anniversary of the digital type foundry.

āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻŦāĻ°ā§āώāĻĒā§‚āĻ°ā§āϤāĻŋ, āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ āύāĻŋāϝāĻŧ⧇ āφāϞ⧋āϚāύāĻž āϏāĻ­āĻž
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āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻŦāĻ°ā§āώāĻĒā§‚āĻ°ā§āϤāĻŋ, āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ āύāĻŋāϝāĻŧ⧇ āφāϞ⧋āϚāύāĻž āϏāĻ­āĻž

āĻŦāĻžāĻ‚āϞāĻž āϞāĻŋāĻĒāĻŋāϰ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āϐāϤāĻŋāĻšā§āϝ āĻ“ āϏ⧃āϜāύāĻļā§€āϞāϤāĻžāϰ āϚāĻ°ā§āϚāĻž āύāĻŋā§Ÿā§‡ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻ°ā§āώāĻĒā§‚āĻ°ā§āϤāĻŋ āωāĻĒāϞāĻ•ā§āώ⧇ āĻŦāĻŋāĻļ⧇āώ āφāϞ⧋āϚāύāĻž āϏāĻ­āĻž āĻ…āύ⧁āĻˇā§āĻ āĻŋāϤ āĻšā§Ÿā§‡āϛ⧇āĨ¤ āĻļāύāĻŋāĻŦāĻžāϰ (ā§§ā§Ŧ āφāĻ—āĻ¸ā§āϟ) āϏāĻ¨ā§āĻ§ā§āϝāĻžā§Ÿ āĻŦāĻŋāĻļā§āĻŦāϏāĻžāĻšāĻŋāĻ¤ā§āϝ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧇ ‘āϞāĻŋāĻĒāĻŋāĻ•āϞāĻž āϟāĻžāχāĻĒāϟāĻ• : āĻĄāĻŋāϏāĻ•āĻžāϏāĻŋāĻ‚ āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āĻ¸â€™āĻļāĻŋāϰ⧋āύāĻžāĻŽā§‡ āĻ āĻŦāĻŋāĻļ⧇āώ āφāϞ⧋āϚāύāĻž āĻ…āύ⧁āĻˇā§āĻ āĻŋāϤ āĻšā§ŸāĨ¤āĻ¸ā§āĻŦāĻžāĻ—āϤ āĻŦāĻ•ā§āϤāĻŦā§āϝ⧇ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻĢāĻžāωāĻ¨ā§āĻĄāĻžāϰ āĻ“ āϏāĻŋāχāĻ“ āĻ•āĻžāĻœā§€ āϝ⧁āĻŦāĻžāχāϰ āĻŽāĻžāĻšāĻŽā§āĻĻ āϜāĻžāύāĻžāύ, ‘āϞāĻŋāĻĒāĻŋāĻ•āϞāĻž āϟāĻžāχāĻĒ āĻĢāĻžāωāĻ¨ā§āĻĄā§āϰāĻŋ’ āĻĒ⧇āϰāĻŋāϝāĻŧ⧇āϛ⧇ āĻāĻ• āĻŦāĻ›āϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĨ¤ āĻāχ āĻāĻ• āĻŦāĻ›āϰ⧇ āφāĻŽāϰāĻž ⧧⧍āϟāĻŋ āϟāĻžāχāĻĒāĻĢ⧇āϏ āύāĻŋā§Ÿā§‡ ⧧⧍āϟāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻĢāĻ¨ā§āϟ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āĻ•āϰ⧇āĻ›āĻŋ, āϝ⧇āϗ⧁āϞ⧋ āĻŦāĻžāĻ‚āϞāĻž āϞ⧇āĻ–āĻžāϰ āĻĻ⧃āĻļā§āϝāĻŽāĻžāύ āϰ⧂āĻĒāϕ⧇ āύāϤ⧁āύ āĻŽāĻžāĻ¤ā§āϰāĻž āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤ āϤāĻŋāύāĻŋ āĻŦāϞ⧇āύ, ‘āĻŦāĻžāĻ‚āϞāĻž āĻŦāĻžāϰ⧋ āĻŽāĻžāϏ⧇āϰ āύāĻžāĻŽā§‡ āĻāĻ•āϏāĻ™ā§āϗ⧇ ⧧⧍āϟāĻŋ āĻĢāĻ¨ā§āϟ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇āĻ›āĻŋ āφāĻŽāϰāĻžāĨ¤ āϝ⧇ āĻĢāĻ¨ā§āϟāϗ⧁āϞāĻŋ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻ…āĻĢāĻŋāϏāĻŋāϝāĻŧāĻžāϞ āĻ“āϝāĻŧ⧇āĻŦāϏāĻžāχāϟ www.lipikola.com āĻĨ⧇āϕ⧇ āĻĄāĻžāωāύāϞ⧋āĻĄ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤ āĻāϰ āφāϗ⧇ āĻ—āϤ āĻŦāĻ›āϰ āϜ⧁āϞāĻžāχ āĻ—āĻŖāĻ…āĻ­ā§āϝ⧁āĻ¤ā§āĻĨāĻžāύ⧇āϰ āĻĻāĻŋāύāϗ⧁āϞāĻŋāϤ⧇ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ ‘āĻĻā§āϰ⧋āĻšâ€™ āĻĢāĻ¨ā§āϟ āϝ⧇āĻ­āĻžāĻŦ⧇ āĻĻ⧇āĻļāĻŦā§āϝāĻžāĻĒā§€ āφāĻ¨ā§āĻĻā§‹āϞāύ, āĻĻ⧇āϝāĻŧāĻžāϞāϞāĻŋāĻ–āύ āφāϰ āĻĒā§‹āĻ¸ā§āϟāĻžāϰ⧇ āĻĒā§‹āĻ¸ā§āϟāĻžāϰ⧇ āϜāĻžāϝāĻŧāĻ—āĻž āĻ•āϰ⧇ āύāĻŋāϝāĻŧ⧇āĻ›āĻŋāϞ, āϏ⧇āχ āϘāϟāύāĻž āĻĨ⧇āϕ⧇ āφāĻŽāϰāĻž āĻ…āύ⧁āĻĒā§āϰāĻžāĻŖāĻŋāϤ āĻšāϝāĻŧ⧇āĻ›āĻŋāĨ¤â€™ āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞāϝāĻŧ⧇āϰ āĻ—ā§āϰāĻžāĻĢāĻŋāĻ• āĻĄāĻŋāϜāĻžāχāύ āĻŦāĻŋāĻ­āĻžāϗ⧇āϰ āϏāĻšāϝ⧋āĻ—ā§€ āĻ…āĻ§ā§āϝāĻžāĻĒāĻ• āĻŽāĻžāĻ•āϏ⧁āĻĻ⧁āϰ āϰāĻšāĻŽāĻžāύ āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ⧇āϰ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻŦāĻŋāĻ•āĻžāĻļ, āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āϝ⧁āϗ⧇ āϟāĻžāχāĻĒāĻĢ⧇āϏ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧāϤāĻž āĻāĻŦāĻ‚ āĻ…āĻ•ā§āώāϰ⧇āϰ āĻ—āĻ āύāĻļ⧈āϞ⧀ āύāĻŋāϝāĻŧ⧇ āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āĻ“ āĻāĻ•āĻžāĻĄā§‡āĻŽāĻŋāĻ• āφāϞ⧋āϚāύāĻž āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰ⧇āύāĨ¤ āύāĻŋāωāĻāχāĻœā§‡āϰ āĻĄā§‡āĻĒ⧁āϟāĻŋ āĻāĻĄāĻŋāϟāϰ āφāĻŦ⧁ āϜāĻžāϰ āĻŽā§‹. āφāĻ•ā§āĻ•āĻžāϏ āĻŦāĻžāĻ‚āϞāĻž āĻĢāĻ¨ā§āĻŸā§‡āϰ āĻŦāĻŋāĻŦāĻ°ā§āϤāύ, āύāĻ•āĻļāĻž, āϟāĻžāχāĻĒā§‹āĻ—ā§āϰāĻžāĻĢāĻŋ āĻ“ āĻŦā§āϝāĻŦāĻšāĻžāϰ āύāĻŋāϝāĻŧ⧇ āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āφāϞ⧋āϚāύāĻž āĻ•āϰ⧇āύāĨ¤ āϤāĻŋāύāĻŋ āϟāĻžāχāĻĒāĻĢ⧇āϏ āĻ“ āĻĢāĻ¨ā§āĻŸā§‡āϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āĻ“ āĻ—āĻŦ⧇āώāĻŖāĻžāϰ āύāĻžāύāĻž āĻĻāĻŋāĻ• āϤ⧁āϞ⧇ āϧāϰ⧇āύāĨ¤ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āύāϤ⧁āύ āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ⧇āϰ āϏāĻŽā§āĻ­āĻžāĻŦāύāĻž āĻāĻŦāĻ‚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāϰ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰ⧇āϰ āĻŦāĻŋāώāϝāĻŧ⧇āĻ“ āφāϞ⧋āĻ•āĻĒāĻžāϤ āĻ•āϰ⧇āύāĨ¤ āĻ…āύ⧁āĻˇā§āĻ āĻžāύ⧇ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āύāϤ⧁āύ āĻŦāĻžāϰ⧋āϟāĻŋ āĻĢāĻ¨ā§āϟ āĻ“ āĻŦāĻžāĻ‚āϞāĻž āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻ•āϝāĻŧ⧇āĻ•āĻļā§‹ āĻŦāĻ›āϰ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ, āĻŦāĻŋāĻŦāĻ°ā§āϤāύ āĻ“ āύāĻ•āĻļāĻž āύāĻŋāϝāĻŧ⧇ āĻŦāĻŋāĻļ⧇āώ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāĻžāϰāĻŋ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤  āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āφāϞ⧋āϚāϕ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ›āĻŋāϞ⧇āύ āĻŦāĻŋāĻļāĻŋāĻˇā§āϟ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ“ āϟāĻžāχāĻĒāĻĢ⧇āϏ āĻĄāĻŋāϜāĻžāχāύāĻžāϰ āφāύāĻŋāϏ⧁āĻœā§āϜāĻžāĻŽāĻžāύ āϏ⧋āĻšā§‡āϞ, āĻŦ⧇āĻ™ā§āĻ—āϞāĻŦ⧁āĻ•āϏ-āĻ•āĻŋāĻ¨ā§āĻĄāĻžāϰāĻŦ⧁āĻ•āϏ āĻāϰ āĻĒā§āϰāĻ•āĻ˛ā§āĻĒāĻĒā§āϰāϧāĻžāύ, āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ“ āϟāĻžāχāĻĒāĻĢ⧇āϏ āĻĄāĻŋāϜāĻžāχāύāĻžāϰ āφāϜāĻšāĻžāϰ āĻĢāϰāĻšāĻžāĻĻ, āχāĻŦāĻŋāĻāϞāφāχāϏāĻŋāϟāĻŋ āĻĒā§āϰāĻ•āĻ˛ā§āĻĒ⧇āϰ āĻĒāϰāĻžāĻŽāĻ°ā§āĻļāĻ• āĻŽāĻžāĻŽā§āύ āĻ…āϰ āϰāĻļāĻŋāĻĻ āĻāĻŦāĻ‚ ⧍ā§Ļ⧍ā§Ģ-āĻ āĻ…āĻ­ā§āϰ āĻ•āĻŋāĻŦā§‹āĻ°ā§āĻĄā§‡āϰ āϜāĻ¨ā§āϝ āĻāϕ⧁āĻļ⧇ āĻĒāĻĻāĻ•āĻĒā§āϰāĻžāĻĒā§āϤ, āĻŦāĻžāĻ‚āϞāĻž āϏāĻŋāϝāĻŧāĻžāĻŽ āϰ⧁āĻĒāĻžāϞ⧀ āĻ“ āĻ•āĻžāϞāĻĒ⧁āϰ⧁āώ āĻĢāĻ¨ā§āĻŸā§‡āϰ āύāĻŋāĻ°ā§āĻŽāĻžāϤāĻž āϤāĻžāύāĻŦāĻŋāύ āχāϏāϞāĻžāĻŽ āϏāĻŋāϝāĻŧāĻžāĻŽāĨ¤ āĻ…āύ⧁āĻˇā§āĻ āĻžāύāϟāĻŋ āϏāĻžā§āϚāĻžāϞāύāĻž āĻ•āϰ⧇āύ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻ“ āĻ—āĻŦ⧇āώāĻ• āϏāĻŋāϞāĻ­āĻŋāϝāĻŧāĻž āύāĻžāϜāύ⧀āύāĨ¤ āϞāĻŋāĻĒāĻŋāĻ•āϞāĻžāϰ āĻŦāĻ°ā§āώāĻĒā§‚āĻ°ā§āϤāĻŋ, āĻŦāĻžāĻ‚āϞāĻž āϟāĻžāχāĻĒāĻĢ⧇āϏ āύāĻŋāϝāĻŧ⧇ āφāϞ⧋āϚāύāĻž āϏāĻ­āĻž Read from Daily Shomoyer Alo

Droho by Lipikola
Blog

Lipikola Release 12 Bangla Font

We are excited to share the launch of our long-awaited collection of 12 fonts today. The design process for these fonts started many years ago, with most typefaces taking a decade or more of ongoing research and refinement. Throughout the years, we have explored and improved our understanding of typeface structure and character. Last year, during the July movement, we celebrated a milestone in Bengali type design by releasing ‘Droho,’ the first rebellious Bengali typeface, which introduced Lipikola to the public. Since then, we have revisited our earlier designs and created new ones, leading to the release of this series of 12 fonts named after the 12 months of the Bengali calendar. Lipikola’s typefaces will be updated regularly. We welcome your feedback and suggestions. Join us as we move forward on this journey to improve Bengali typography. Explore all the typefaces from www.lipikola.com

Droho by Lipikola
Services

Design

Our type design service brings your ideas to life by crafting original, custom fonts from scratch. Whether you have a concept, sketches, or specific style in mind, we develop typefaces that perfectly capture your vision and purpose. At Lipikola, type design combines creativity and precision to deliver unique fonts tailored for branding, publishing, and digital use.

Lipikola
Services

Mastering

Our mastering service transforms your drafts, hand lettering, vector artwork, or sketches from any font editor into a fully functional and polished font. Whether you need comprehensive mastering or solutions for specific visual or technical challenges, we’re here to assist. At Lipikola, mastering involves several key steps: visual refinement, technical optimization, precise kerning, and expert font hinting.

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